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Curve blocks are a bit more difficult to piece than blocks made of straight seams, and that's true even when you're piecing by hand. Below are some alternatives. The most popular is probably Storm at Sea, along with a Storm at Sea/Snail Trail combination that is the brainchild of designer Julie Baird. Coming soon: ![]() ![]() See also: |
Monkey Wrench


KCS, 1929
The Kansas City Star published Monkey Wrench in 1929. Quilt researcher Carrie Hall also found it called Snail's Trail in the 1930s (Havig, 1999).
If you're looking for a block that looks like a Churn Dash, click on this icon:

Pig's Tail


Mountain Mist

From a Mountain Mist pattern booklet, according to Barbara Brackman's 1993 Encyclopedia of Pieced Quilt Patterns.
We've posted a diagram; just click on the sewing-machine icon.
Virginia Reel

Khin, 1980
















Virginia Reel

Virginia Reel is the name of several blocks that look nothing like each other. If you're looking for a different block, click on the icon in the upper-left corner of this page. It will take you to our search page.
Click on the "Make It!" icon for a diagram.
Snail Trail


Mountain Mist
This "snail" was a Ladies Art Company trailblazer in 1928 (#504). In 1955, the Kansas City Star published it as Journey to California. Barbara Brackman's Encyclopedia adds the names Whirligig Quilt and Ocean Wave.
Road to Oklahoma


KCS, 1957

The Road to Oklahoma swirl is also identical to Snail Trail except for the center four-patch, which turned 90 degrees from Snail Trail. You can use the same pattern to make it.
Nautilis

Stone, 1906


Click on the "Make It!" icon for a diagram.
Snowball


The name Snowball is by far the most popular for this block, but it is not the newest.
The block is also known as Job's Troubles (1906) and Melon Patch (1973). It's also part of a larger block called Flagstones, published by the Ladies Art Company in 1928 (#514). However, Snowball, the name, was probably first coined by Joseph Doyle, a company that started publishing quilt-block booklets in 1911.
In all the block's iterations, the size of the corner triangles varies, but not by much.
Snowball has two strong points as a design feature: It showcases quilting stitches, and it is dressier than a plain block when the whole-quilt design is laid out as a checkerboard. This is its use in a popular quilt pattern called Tennessee Waltz, designed by Sue Bouchard for Eleanor Burns' Quilt in a Day pattern series.
In Tennessee Waltz, Snowball alternates with a variation of 54-40 or Fight:

Bouchard's design is available in a book of the same name.
The Big O

The Big O
You didn't think we were going to show this one as a whole quilt, did you?
The Marble Floor

KCS, 1930

















The Marble Floor, as published"is an easy one to make, but looks quite elaborate when finished," wrote designer Eveline Foland when this block was first published in the Kansas City Star in 1930.
She recommended dark, light, and "figured" fabric arranged as we've shown it in green. Of course, she probably meant for the quilt to look like the green mockup at far right, but we added the literal versionin pink just because.
The Marble Floor is a reasonably good choice for a memory quilt; friends can write their signatures in the faux circles.
Storm at Sea

KCS, 1932


Usually, this block is made as an offset square, i.e. with only two long diamonds and one corner square-in-square. Then you add a row of the missing design to the top and right side of the whole quilt.


Storm at Sea
Offset block
