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Below, blocks that show animals, people, and hearts. |
Ararat

Ararat
Foland
Kansas City Star, 1931
A 1931 Kansas City Star included this asymmetric block, basing it on a resident of Kansas City's Swope Park Zoo. It is 14 squares wide and 9 squares tall.
We've used the Star's colors—gold, purple, and white—in the block at left. Ararat quickly took on Republican colors, and a Democratic donkey followed.
An entire quilt made from this block might be a bit much. But like Giddap and The Dog Quilt, Ararat would make a wonderful border block for any child's quilt.
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Giddap

Giddap
Foland
KCS, 1931
The ladies intended to use the blocks for cookie cutters to use for "window sales" during the upcoming presidential campaign, with Al Smith up against Herbert Hoover.
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The Dog Quilt

KCS, 1936
A Scottie Quilt for Boys
Kansas City Star,which published it in 1936.
The recommended colors were orange and brown on white.
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June Butterfly

















June Butterfly This graceful little applique block captivated us when we saw it, so we've shared it with you. Now if we can only remember where we found it....stay tuned.
Long Pants
















Long Pants

Cabot
Chicago Tribune, 1933
Ferris Wheel
















Ferris Wheel

KCS, 1957
It's really very pretty as a whole quilt. All but the background pieces were supposed to be random prints, arranged in pairs of dark and light around the center.
Hearts &Gizzards

Ladies Art Company
#125, 1897

The block creates a look reminiscent of a lattice, as do the Lovers' Knot block, below.
Lover's Knot
















Lover's Knot— evolved
















Lover's Knot, 1906

Stone, 1906

Modern dimensions Lover's Knot was published in 1906 in Clara Stone's Practical Needlework.
It was a jazzed-up version of Hearts & Gizzards; the blocks' shapes were almost identical. Since then, the block's pieces have evolved into the familiar heart shape.
Both Lover's Knot variations and Hearts & Gizzards are lattice blocks made up of four rotated quarters.
Bleeding Heart


KCS, 1950

Bleeding Heart


Ladies Art Company
#501, 1928
In groups, the block creates a pattern reminiscent of four-petaled flowers inside medallions.
